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The thread linked in tweet 2 by @lphaCentauriKid explains the process and thoughts behind The Great Color Study and is well worth a read. As I've said before, I believe it is, perhaps, the best work of performance art we've seen in the CryptoArt space. A few thoughts, a 🧵...
Part of the brilliance of The Great Color Study (TGCS) is that much of the performance was placed in the hands of viewers, making it both a work of performance art and a work of interactive art.
TGCS kicked off with a free claim for ACK badge holders and that is where it could have ended. But... he baited the hook with those first holders, promising that their very limited claim (there are only 55 pale blue deaths) would become an open edition if anyone listed...
prior to March of 23. If ACK's collectors were comprised of those looking to maximize profit, that's where it would have ended b/c an OE would have obviously killed the price. However, ACK's collectors love art & understand that both he and The Muse are... innovative.
When @grdenrr hit the button, TGCS was off. Thousands of the OE were minted at 0.069 ETH, but the story wasn't over. ACK changed the image from Pale Blue Death to @XCOPYART's Max Pain! Here, TGCS transformed from performance and interactive art to appropriation art.
Let's take a brief interlude to discuss appropriation art. ACK did it right. People paid 0.069 ETH for Pale Blue Death OE, but then received Max Pain. By appropriating both the art and title of the work, ACK played...
with the original work, giving it new meaning to the new holders - they were in max pain. Further, ACK gave a heads up to XCOPY before he did it AND the original Max Pain is CC0. This is in stark contrast other "appropriation art" that is on the chain. twitter.com/xcopyart/status/1568123597872308225?s=61&t=2M7AcTY0b_n86p1Lgdb3DA
So, TGCS was kicked off by the audience, then allowed to continue by a sacrifice from the audience, leading to the final act of audience participation... the selection.
Don't believe for a second that was an easy choice. It was not. For some, it was purely an aesthetic decision, for others an opportunity to collect them all, and for others, still, a game to figure out the lowest minted colors to maximize profits.
TGCS is a brilliant work - not just the jpeg, but the whole performance. It touched upon performance art, participatory art, and appropriation art. It challenged holders to trust in ACK and The Muse. It pushed technology as art forward.